I bought the maxforlive.com domain name on January 15th 2009, the exact day Ableton announced the very idea of Max for Live itself. I remember sitting on my couch, reading the announcement and subsequent forum chatter. The possibilities for such an integration blew my mind. The seamless fusion of c... (continue reading)
A couple of new features have been added to maxforlive.com. Push Tag You can now tag devices that are made for use with Ableton Push. More and more people are creating custom devices that extend or change the default behavior of the Push hardware. Use of this new tag makes it easy to g... (continue reading)
synnack will once again deliver a Max for Live technical session at Together Festival in Boston. This time focused on the "audio reactive" synnack ... (continue reading)
Cycling74, the makers of the Max programming language and collaborators with Ableton to create Max for Live featured a quote from me on their new ... (continue reading)
There have been lots of small updates and enhancements to Maxforlive.com since my last blog update on the new URL format. I thought I'd take some time to document them all in one shot. Generally the enhancements in th... (continue reading)
For v2.5, I spent a ton of time on sound design with the analog modulars, recording clip after clip of cool sounds. I ended up with hundreds of clips in one massive Live set. To create the final tracks, I did a series of live r... (continue reading)
Today I implemented the DISQUS commenting system on this blog. It always amuses me that I get very little comments directly on the blog, yet people will comment frequently on the Facebook/Tweets/Forum posts I do to advertise each blog post. That has me cur... (continue reading)
This weekend I updated one of my first Max for Live devices, LineFO to version 1.4. When M4L first came out, there were quickly many devices shared to modulate parameters. In the most recent M4L update, Ableton even added their own... (continue reading)
@cycling74 recently tweeted asking "What is the best #MaxMSP advice you've ever heard?". A few good responses. I like "use route inside sub-patches so that they only need one inlet" for example. Here's one from me. When starting a new project in max... (continue reading)
Check out these videos from Cycling74. Awesome tips for getting the most out of Max. http://cycling74.com/category/articles/did-you-know/ For example: Did you know you can build Max for Live devices that will work on Mac and Wi... (continue reading)
In January of 2009, Ableton, Inc announced several new things that blew me away. A dedicated (and affordable) grid/button controller for Ableton Live and a new product called "Max for Live" that would allow users to cre... (continue reading)
Now that the init.system DVD is out, I thought I'd spend some time talking about the next big project for synnack and 0xf8 Studios. We've travelled around the world with custom video for the synna... (continue reading)
So, I have not been posting nearly as much to this blog as I had hoped. Why? Well. I have been testing Max for live in beta for months and it is now finally released. Part of my involvement has been to build w... (continue reading)
This week I became a beta tester for Max for Live. I have it installed and I've been messing with it. The world will never be the same after this becomes generally available. www.maxforlive.com Once beta testing is complete and I can talk publicly a... (continue reading)
Now that I have an APC 40 I don't have much use for this. But it's still pretty cool and has been how I do things on stage for years now. Essentially, most electronic/laptop musicians dream of never having to actually look at the laptop, or touch it during a pe... (continue reading)